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That contributes lots to the performances they seem more real as a result of they don't seem to be caught in phony sets. But in the final analysis, it actually is Matthau, Miss Bergman and Miss Hawn who make "Cactus Flower" a success. In "Cactus Flower," simply as in "The Importance of Being Earnest" seventy five years in the past, or in "She Stoops to Conquer" 200 years ago, the plot depends upon a romance developed by way of mistaken identification. So Abe Burrows wasn't inventing anything new when he wrote the play. When Pauline Kael observes that "The Scalphunters," not a very good movie, becomes pleasant because of the sparks that Burt Lancaster and Ossie Davis strike of their scenes collectively, I know what she means. Goldie Hawn and Walter Matthau have that happening in "Cactus Flower," and Ingrid Bergman moves between them with absolute serenity.
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