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That contributes so much to the performances they seem more actual as a result of they don't seem to be stuck in phony sets. But in the final analysis, it genuinely is Matthau, Miss Bergman and Miss Hawn who make "Cactus Flower" successful. In "Cactus Flower," just as in "The Importance of Being Earnest" 75 years in the past, or in "She Stoops to Conquer" 200 years in the past, the plot depends upon a romance developed by way of mistaken identity. So Abe Burrows wasn't inventing anything new when he wrote the play. When Pauline Kael observes that "The Scalphunters," not a very good film, turns into gratifying because of the sparks that Burt Lancaster and Ossie Davis strike in their scenes together, I know what she means. Goldie Hawn and Walter Matthau have that occurring in "Cactus Flower," and Ingrid Bergman moves between them with absolute serenity.
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